TWINKIDS is the electronic pop project of pianist-producer Matt Young and Tokyo-native singer-songwriter Gene Fukui. After meeting at Oberlin College & Conservatory in northeast Ohio – the same rural campus that spawned the likes of Teengirl Fantasy, Yeah Yeah Yeahs, and Liz Phair – the two quickly discovered a mutual reverence for electronic music and began writing, producing, and performing as one. They went on to study at the renowned Banff Centre in Canada under Brendan Canning of Broken Social Scene.

TWINKIDS bring together Gene’s experience as a J-pop songwriter and Matt’s background in classical piano, delivering genre-bending tunes with catchy hooks and lush harmonies. Following releases on Cascine, Yellow Year Records, a collaboration with Australian singer-songwriter Sophie Lowe, and official remixes for Dawn Richard and Ghostly International, the LA-based duo signed with Om Records and garnered a number one charting song on Hype Machine 'Jigoku Tengoku' along with a national tour with Matt and Kim and press support from NYLON, THE FADER, Stereogum, Billboard and OUT Magazine.

TWINKIDS’ debut EP “Boys Love” pays homage to the gay romance manga genre of the same name. Drawing influence from 80’s J-pop and artists like Imogen Heap and Bonobo, the EP’s five songs tell coming-of-age stories about falling in love.

Claire George is a songwriter with wide eyes and a natural sense of wonder. You can hear it on single “Orbits” when she sings, “Everything you are is a miracle.” The track, which references Carl Sagan’s infamous golden records of the star-bound Voyager probes, also speaks to the other miracles of creation — youth, love, and humanity. It’s this particular blend of boundless awe and cosmic curiosity that Claire George channels into her work, and that makes her new EP, Bodies Of Water, so engaging. Across the EP’s five self-written and self-produced tracks, she combines an imaginative melodic sensibility with swirling electronic productions, crafting a clear vision for her debut.

Claire’s voice will be familiar to some in the electronic space. She’s previously worked as a topliner, providing the vocal lines to tracks by dance artists Luttrell, Valy Mo, LP Giobbi and others. She also formerly served as the lead singer for the San Francisco act HEARTWATCH, but after disbanding in 2016, Claire decided to turn her focus inward. Seeking space and seclusion, she moved north for a quieter setting outside Seattle, near where she grew up. “At the same time my band split, I went through a break-up and a series of family traumas, quit my job, and left my community in San Francisco,” she said. “I had always been an extrovert, so living in isolation for a year and a half was a huge change for me. It was a period of solitude unlike any other I had ever experienced in my life.”

Coming to grips with her self-imposed stillness, Claire struggled with anxiety and feelings of groundlessness, which she channeled into her musical practice. As a songwriter, she was used to having other voices in the room, whether working with her former band or with producers on vocal collaborations, but this was the first time she was writing, recording and producing entirely on her own, from the ground up. Moreover, while major cities like San Francisco are stimulating, they can also be noisy; so often the inspiration we find when surrounded by the output of our contemporaries also clouds our creative point-of-view. Detached from her previous projects and surroundings, Claire was able to experiment freely. “This was the first time the genesis of a song started entirely from me, so I just really allowed myself to explore,” she said. “The creation process felt like a form of meditation, though often extremely frustrating. I was still learning how to produce as I was writing and creating, so everyday was a new experience with new challenges.”

Though difficult, the solitude proved rewarding, and Claire was able to find and refine her voice in the process. In 2018, she felt the present creative chapter closing and decided to relocate to Southern California to finish the material she had generated over the past two years.

Claire’s diligent approach paid off, resulting in the singularly captivating Bodies Of Water EP. Opener “Where Do You Go?” serves as an introduction to her reflective lyrics and shimmering electronic atmospheres. “Orbits,” a low-key pop jewel that swells around an ingenious vocal sample and a swooning chorus, was featured on a recent compilation from Kitsuné, and appears here as the lead single. Claire similarly shines on the winsome and considerably more uptempo “Second Guesses,” as well as the synth-driven, slow-burning album closer “Lonely Or Alone.”

Thematically, Claire paints an impressionistic picture of the transformative journey of love, the traumas surrounding the loss of youth and the ambivalence at the intersection of the two. “This record reflects a lot on changing relationships and on the role of solitude in developing a closer relationship to oneself,” she said. “My whole project is influenced heavily by my need to look inward, to understand isolation intimately, to come to terms with changing relationships, and to build a healthy relationship with myself.” Claire weaves those threads of self-awareness throughout the EP, from her deft production, to her striking vocal delivery, to her subtly nuanced perspective. Overall, Bodies Of Water is an undeniably strong body of work from a confident new voice, made all the more wondrous with each repeat listen.

Bodies Of Water is out November 16, 2018 on Cascine.