4 Show Pass - John Zorn, Laurie Anderson, Terry Riley
Fri · May 17, 2019 - Sat · May 18, 2019
Doors: 6:00 pm / Show: 7:00 pmThe Chapel
$195 - 4 show pass
This event is all ages
This discounted pass allows access to all 4 shows:
- 5/17, 7:00PM, doors open 6:00PM
- 5/17, 9:30PM, doors open 8:30PM
- 5/18, 7:00PM, doors open 6:00PM
- 5/18, 9:30PM, doors open 8:30PM
KEEP your ticket for entry each night.
Each show will start promptly at its listed time and will last approximately 60 minutes, the content of each show will be entirely unique and up to the artists' discretion. It is important to note that each show will be a standing room only event. There will be no support act for any of the 4 performances, performances will start exactly on time, 1 hour after doors open.https://www.thechapelsf.com/event/1819969/
O Superman launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on Big Science, the first of her seven albums on the Warner Brothers label. Other record releases include Mister Heartbreak, United States Live, Strange Angels, Bright Red, and the soundtrack to her feature film Home of the Brave. A deluxe box set of her Warner Brothers output, Talk Normal, was released in the fall of 2000 on Rhino/Warner Archives. In 2001, Anderson released her first record for Nonesuch Records, entitled Life on a String, which was followed by Live in New York, recorded at Town Hall in New York City in September 2001, and released in May 2002.
Anderson has toured the United States and internationally numerous times with shows ranging from simple spoken word performances to elaborate multimedia events. Major works include United States I-V (1983), Empty Places (1990), The Nerve Bible (1995), and Songs and Stories for Moby Dick, a multimedia stage performance based on the novel by Herman Melville. Songs and Stories for Moby Dick toured internationally throughout 1999 and 2000. In the fall of 2001, Anderson toured the United States and Europe with a band, performing music from Life on a String. She has also presented many solo works, including Happiness, which premiered in 2001 and toured internationally through Spring 2003.
Anderson has published six books. Text from Anderson’s solo performances appears in the book Extreme Exposure, edited by Jo Bonney. Anderson has also written the entry for New York for the Encyclopedia Brittanica and in 2006, Edition 7L published Anderson’s book of dream drawings entitled “Night Life”.
Laurie Anderson’s visual work has been presented in major museums throughout the United States and Europe. In 2003, The Musée Art Contemporain of Lyon in France produced a touring retrospective of her work, entitled The Record of the Time: Sound in the Work of Laurie Anderson. This retrospective included installation, audio, instruments, video and art objects and spans Anderson’s career from the 1970’s to her most current works. It continued to tour internationally from 2003 to 2005. As a visual artist, Anderson is represented by the Sean Kelly Gallery in New York where her exhibition, The Waters Reglitterized, opened in September 2005. In 2008, the Museum of Modern Art acquired her “Self-Playing Violin” which was featured in the “Making Music” exhibition in Fall 2008.
As a composer, Anderson has contributed music to films by Wim Wenders and Jonathan Demme; dance pieces by Bill T. Jones, Trisha Brown, Molissa Fenley, and a score for Robert LePage’s theater production, Far Side of the Moon. She has created pieces for National Public Radio, The BBC, and Expo ‘92 in Seville. In 1997 she curated the two-week Meltdown Festival at Royal Festival Hall in London. Her most recent orchestra work Songs for Amelia Earhart. premiered at Carnegie Hall in February 2000 performed by the American Composers Orchestra and later toured Europe with the Stuttgart Chamber Orchestra conducted by Dennis Russell Davies. The piece was performed as part of the Groningen Festival honoring Laurie Anderson in Fall 2008 with the Noord Nederlands Orkest.
Recognized worldwide as a groundbreaking leader in the use of technology in the arts, Anderson collaborated with Interval Research Corporation, a research and development laboratory founded by Paul Allen and David Liddle, in the exploration of new creative tools, including the Talking Stick. She created the introduction sequence for the first segment of the PBS special Art 21, a series about Art in the 21st century. Her awards include the 2001 Tenco Prize for Songwriting in San Remo, Italy and the 2001 Deutsche Schallplatten prize for Life On A String as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. She recently collaborated with Bran Ferren of Applied Minds, Inc to create an artwork that was displayed in “The Third Mind” exhibition at the Guggenheim Museum in New York in Winter 2009.
In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance “The End of the Moon”. Recent projects include a series of audio-visual installations and a high definition film, “Hidden Inside Mountains”, created for World Expo 2005 in Aichi, Japan. In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, “Homeland”, which was released as an album on Nonesuch Records in June, 2010. Anderson’s solo performance “Delusion” debuted at the Vancouver Cultural Olympiad in February, 2010 and toured internationally throughout 2011. In 2010 a retrospective of her visual and installation work opened in Sao Paulo, Brazil and later traveled to Rio de Janeiro.
In 2011 her exhibition of all new work titled “Forty-Nine Days In the Bardo” opened at the Fabric Workshop and Museum in Philadelphia. That same year she was awarded with the Pratt Institute’s Honorary Legends Award. In January of 2012 Anderson was the artist-in-residence at the High Performance Rodeo in Calgary, Alberta where she developed her latest solo performance titled “Dirtday!” Her exhibition “Boat” curated by Vito Schnabel opened in May of 2012. She has recently finished residencies at both CAP in UCLA in Los Angeles and EMPAC in Troy New York. Her film Heart of a Dog was chosen as an official selection of the 2015 Venice and Toronto Film Festivals. In the same year, her exhibition Habeas Corpus opened at the Park Avenue Armory to wide critical acclaim and in 2016 she was the recipient of Yoko Ono’s Courage Award for the Arts for that project. Anderson lives in New York City.
While working on a masters degree at UC Berkeley in 1960, he met La Monte Young, whose radical approach to time made a big impact and the two made a life long association.
During this time Riley and Young worked out many of their seminal ideas while working with influential dancer Anna Halprin.
During a sojourn to Europe 1962-64 he collaborated with members of the Fluxus group, playwright Ken Dewey and trumpeter Chet Baker and was involved in street theater and happenings.
In 1965 he move to New York and joined La Monte Young’s Theater of Eternal Music.
1967 was the year of his first all night concert at the Philadelphia College of Art and he began a collaboration with visual artist Robert Benson resulting in more all night concerts.
Recordings of In C, A Rainbow in Curved Air, Poppy Nogood and the Phantom Band and the Church of Anthrax were all issued by CBS Masterworks in 1968-69.
In 1970, Terry became a disciple of the revered North Indian Raga Vocalist, Pandit Pran Nath and made the first of his numerous trips to India to study with the Master. He appeared frequently in concert with the legendary singer as tampura, tabla and vocal accompanist over the next 26 years until Pran Naths passing in 1996. He has co-directed along with Sufi Murshid, Shabda Kahn of the Chisti Sabri India music study tours 1993-2000.
Terry regularly appears in concerts of Indian Classical Music and conducts raga singing seminars.
While teaching at Mills College in Oakland in the 1970's he met David Harrington, founder and leader of the Kronos Quartet and began the long association that has so far produced 13 string quartets, a quintet, Crows Rosary and a concerto for string quartet, The Sands (1990), which was the Salzburg Festival's first new music commission and SUN RINGS (2003), the 2 hour multi media piece for choir, visuals and Space sounds, commissioned by NASA.
The Cusp of Magic (2004) another quintet for Kronos features Wu Man, pipa, and was released on Nonesuch records in 2007.
Cadenza on the Night Plain was selected by both Time and Newsweek as one of the 10 best Classical albums of the year.
The epic 5 quartet cycle, Salome Dances for Peace was selected as the #1 Classical album album of the year by USA Today and was nominated for a Grammy.
The orchestral piece Jade Palace was commissioned by Carnegie Hall for the Centennial celebration 1990/91. It was premiered there by Leonard Slatkin and the Saint Louis Symphony.
June Buddha's, for Chorus and Orchestra, based on Jack Kerouac's Mexico City Blues was commissioned by the Koussevitsky foundation in 1991.
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