The Red Room Orchestra play the music of “Twin Peaks”

Audible Presents the 18th Annual SF Sketchfest

The Red Room Orchestra play the music of “Twin Peaks”

Tom Ayres, Allyson Baker, Marc Capelle, Eli Crews, Toby Dammit, Karina Denike, Dina Maccabee, Todd Roper, Chrysta Bell, Margaret Cho, James Marshall

Fri · January 11, 2019

Doors: 8:00 pm / Show: 9:00 pm

$35 adv / $40 door

This event is all ages

Vol. 2: A deeper dive into the musical world of David Lynch

Once again, the Chapel becomes the Roadhouse. Join the Red Room Orchestra for a new round of the music of "Twin Peaks" with a deeper dive into the musical world of David Lynch's work featuring Marc Capelle's all-star ensemble recreating the beloved classic instrumental score and pop vocal tunes from every season of the show plus "Fire Walk with Me" and more from other Lynch films. Dress as your favorite character from the Lynch world and step into another dimension.

The Red Room Orchestra
The Red Room Orchestra
"SF's premier soundtrack interpreters and experimental large ensemble." -- CBS

Formed by San Francisco producer and multi-instrumentalist Marc Capelle in 2017, the Red Room Orchestra is a collective of popular, jazz, classical, and electronic composers and performers who’ve played and recorded alongside the Bad Seeds, the Plastic Ono Band, Cibo Matto, Oingo Boingo, Sonic Youth, CAKE, American Music Club, Lou Harrison, the Steve Reich Ensemble, the Nels Cline Singers, Rodriguez, Iggy Pop, Tune-Yards, Bill Frisell, and more. They’ve offered live renderings of the music of David Lynch’s Twin Peaks, reinterpretations of the soundtracks of Wes Anderson’s Rushmore and The Royal Tenenbaums, and for SFFILM they composed and performed original scores for the short films from Stephen Parr's Oddball Films archive. The Red Room Orchestra projects are co-curated and co-produced by SF Sketchfest’s David Owen.

Members include Tom Ayres, Allyson Baker, Toby Dammit, Bart Davenport, Karina Denike, Ben Goldberg, Tom Griesser, Devin Hoff, Yuka C. Honda, Dina Maccabee, Todd Roper, William Winant and more
Tom Ayres
Tom Ayres
The era of guitar phenom Tom Ayres began in his high school days with a dance cover band called Jasmine T, and has been in perpetual motion ever since. The Monterey High grad has played with The Cubes, Cowboy Satellites, the Tom Ayres Band and Free Ears. More recently, Ayres has split his time between local blues rockers Mike Beck and The Bohemian Saints and Euro synth-pop outfit Persephone’s Bees, which led him to leave the Peninsula for New York City a few years ago.
Allyson Baker
Allyson Baker
Allyson Baker is known for two things, playing guitar and being Canadian. She only does one of those things well. Dirty Ghosts is her main musical vehicle and when flagged down will hop out and join others on their musical adventures. Amongst them have been playing guitar on albums by Kelley Stoltz, El-P, Kimya Dawson, The Dwarves, Aesop Rock, !!! (Chk Chk Chk) and more.
Marc Capelle
Marc Capelle
Marc Capelle is a San Francisco native musician, composer, arranger, and producer.

He’s played with 100’s of acts including Virgil Shaw, the Fresh & Onlys, Jason Lytle, American Music Club, Tommy Guerrero, Kelley Stoltz, Third Eye Blind, Margaret Cho, and quartet-style gospel pioneers, The West Coast Spiritual Corinthians. He is the bandleader of "Marc & the Casuals," a soul pop collective in its 15th year.

A Sketchfest regular, he has previously performed with Bruce McCulloch, Robert Smigel’s "TV Funhouse," and "The State."
Eli Crews
Eli Crews
Eli Crews is a musician and record producer based in New York. He played bass and guitar in numerous Bay Area bands in the '90s and '00s, the most well-known being Beulah. He is currently head engineer at Figure 8 Recording in Brooklyn, where he has lived and worked since 2012. He has also recently built a getaway recording studio in the Catskills, by the name of Spillway Sound. He has been lucky enough to work closely with artists as great and diverse as Gotye, Laurie Anderson, Tune-Yards, Yoko Ono, Nels Cline, Cibo Matto, Deerhoof, Mirah, WHY?, Marc Ribot, Bill Frisell, Colin Stetson, and Kathleen Hanna. You can find out more about him at www.elicrews.com.
Toby Dammit
Toby Dammit
Toby Dammit (born Lawrence Edward Crooke, December 13, 1966, Knoxville, Tennessee), is an American producer, composer and percussionist. He has often been credited as Larry Mullins, his adopted name. He is currently performing live as drummer with Iggy and The Stooges and Silver Apples. In 2015 he began performing live as multi-keyboardist with Nick Cave.

Career

In 1990 he appeared as Larry Mullins on his first professionally released album with the band The Ringling Sisters, produced by Lou Adler (Rocky Horror Picture Show, Cheech & Chong, Mamas & Papas). Dammit is best known as Larry Mullins for his 1990–1999 collaboration with Iggy Pop as his drummer. During this time, he recorded three albums with Iggy Pop: (American Caesar, Naughty Little Doggie and Avenue B) and made several soundtrack appearances: (Freddy's Dead - The Final Nightmare, Fast Track to Nowhere, The Crow: City of Angels, Coffee and Cigarettes, Monster Men - Space Goofs). His percussion work appeared throughout the entire score for Johnny Depp's film The Brave starring Marlon Brando. During this period, Dammit also toured extensively with Iggy Pop and performed at more than 700 concerts worldwide together. Their legendary live concert at the original Paris Olympia in 1991 was released as the DVD Kiss My Blood and serves as a genuine document of their energetic work together.

He joined Swans in 1995, again as Larry Mullins and continued to work with front man Michael Gira after he disbanded Swans and formed The Angels of Light. In all Dammit collaborated on ten releases with Gira.

For years, rumors have circulated regarding his musical collaborations with The Residents, although he has denied details of involvement, often referring interviewers to The Cryptic Corporation, the management of The Residents. Toby Dammit is credited on numerous releases by The Residents as a "sound contributor" but his actual contributions to these releases remain unclear.

He has worked on many other feature films as both a composer or musician, including: School of Rock, Premium Rush, End of Watch, Capitalism: A Love Story, Apple Jack, Monsieur N., Scott Walker: 30 Century Man, Eierdiebe, Dead Dogs Lie, Dead Man Down and most recently Connasse, Princesse des cœurs.

In 2000, Toby Dammit started a Hamburg-based record company with The Residents European label impresario Guido Randzio called Hit Thing Records specializing in rare re-issues by Yello, Die Haut & Nick Cave, Liaisons Dangereuses and Georges Montalba as well as his own collaborations with Thomas Wydler of Nick Cave & The Bad Seeds and Luther Hawkins.

In 2011, he was invited to join Iggy and the Stooges onstage in England and has remained their live drummer for 60 concerts worldwide to date.

Throughout his career, he has worked with a number of international artists, notably in France, including: Keren Ann, A.S Dragon, Fred Avril, Bertrand Burgalat, MeLL, Marie Modiano, Chloé Mons, Ndidi Onukwulu, Paul Personne, Raphaël Haroche, Brisa Roché, Rosemary Standley and Zaz (singer).

Outside France he has worked with: Nick Cave from Victoria, Australia, Mick Harvey from Victoria, Australia, Iggy Pop from Muskegon, Michigan, Stephan Eicher from Bern, Switzerland, - Ely Guerra from Mexico City, - Rufus Wainwright from Montreal, Quebec, Canada, - Jessie Evans (singer), as well as Mark Eitzel from San Francisco, California, - Lydia Lunch from Rochester, New York, - Cano Caoli, as well as Masatoshi Nagase from Tokyo, Japan, - Miguel Bosé from Panama City, Panama, - Peter von Poehl from Malmö, Sweden, - Dave Sardy from Brooklyn, New York, - Frank Black from Boston, Massachusetts, - Depedro from Madrid, Spain, - Arno from Brussels, Belgium, - Jesse Malin from Queens, New York, - Bee and Flower from New York City, - April March, as well as Chuck E. Weiss from Los Angeles, California, - Mount Sims from Milwaukee, Wisconsin, - Anna Clementi from Rome, Italy, - N'Dea Davenport from Atlanta, Georgia, - Alex Maas, as well as Okkervil River from Austin, Texas, - The Living Things from St.Louis, Missouri, - Both Ben Becker and his sister Meret Becker, as well as Katharina Franck from Berlin, Deutschland - Gemma Ray from Basildon, England, - MSTRKRFT, and King Khan from Toronto, Ontario, Canada, - Serena-Maneesh, as well as Turbonegro, The Last Hurrah!!, Eirin Kinn, Kjartan Kristiansen, and Sivert Høyem from Oslo, Norway, - Sharon Corr from Dundalk, Ireland, - Edyta Bartosiewicz from Warszawa, Poland, - Simeon Oliver Coxe III of Silver Apples from Knoxville, Tennessee, - Tav Falco of The Panther Burns from Hot Springs, Arkansas, - Glen Matlock of The Sex Pistols from Paddington, London, England, and most recently Luke Elliot from New Jersey.

An extensive chronological discography and tour date history can be found on the official Toby Dammit website.

For the Italian noise producer please use Toby Dammit (2)
Karina Denike
Karina Denike
San Francisco's darling Karina Deniké is a versatile vocalist, songwriter, collaborator and band leader who moves fluidly from intimate torch song chanteuse to soul singer, to punk powerhouse. "Deniké possesses a voice so rich and luxuriant she sounds like she was born to sing any song that comes her way”.(KQED’s California Report). Denike’s self-titled group have performed in New York, Los Angeles, at dOCUMENTA 13 arts festival in Kassel Germany, London and Japan and locally have been presented by SF Jazz, The Flower Pianos series, the centennial celebration of SF City Hall, Noise-pop, The Contemporary Jewish Museum, and Undercover Presents, among others. She is also known for her past work in groups Dance Hall Crashers, Stara Nova, and Jezebelle, Deniké is a current member of bands NOFX, her own The Cottontails, The Bluebelles, Marc and The Casuals, and recently toured with Hope Sandoval and the Warm Inventions for their 2017 album. She has released over 30 albums as on labels MCA, Warner, FatWreckords, Discovery, Moon, 510, Pink and Black, Portofranco, and Hellcat, contributed to soundtracks and compilations and toured extensively internationaly. Her acclaimed 2015 release "Under Glass" was named one of the TOP 10 JAZZ ALBUMS of 2015 by KQED, and her song Musee Mechanique was on the 2016 compilation by Fat Wreck Chords.
Dina Maccabee
Dina Maccabee
Dina Maccabee is a composer, songwriter, and violinist/violist/vocalist who works in variety of styles, from traditional music to pop to experimental composition. An original member of Real Vocal String Quartet and half of Bay Area duo Ramon & Jessica, she has toured internationally with Julia Holter and many others, and she can be heard on countless recordings including albums by Feist, Thao, Beats Antique, Vienna Teng, Mark Orton, and Aaron Novik. She wrote music for Sweet Land the Musical, produced in St. Paul MN in 2017, and she has released 3 solo albums of original music including 2017's The World is in the Work for solo viola and voice.
Todd Roper
Todd Roper
Master trap drummer, Todd Roper performs with CAKE, Gregory Loiacono, and Virgil Shaw . He also has worked with Chuck Prophet, Lee Bob Watson, and Sean Hayes. He is affectionately knownas Mr. Pringles for all the right reasons.
Chrysta Bell
Chrysta Bell
American singer, model, and actress, born 20 April 1978 in San Antonio, Texas, USA.
Margaret Cho
Margaret Cho
Margaret Cho was born Dec. 5, 1968 and raised in San Francisco. “It was different than any other place on Earth,” she says. “I grew up and went to grammar school on Haight Street during the ’70s. There were old hippies, ex-druggies, burnouts, drag queens, and Chinese people. To say it was a melting pot – that’s the least of it. It was a really confusing, enlightening, wonderful time.”

Ignoring the traditions of her patriarchal culture, her mother bravely resisted an arranged marriage in Korea and married Margaret’s father a Korean joke book writer. “Books like 1001 Jokes for Public Speakers – real corny stuff,” Cho says. “I guess we’re in the same line of work. But we don’t understand each other that way. I don’t understand why the things he says are funny and the same for him.”

What Margaret did know is that being a kid was hard. Racing toward adulthood as fast as she could to escape the constant bullying she endured, Margaret began writing jokes at 14 and professionally performing at age 16. Getting picked on, and not having a feeling of belonging, is a subject that’s not only near to Margaret’s heart, but something she still feels very deeply despite all of her successes. In that sense, Margaret has gladly and graciously become the “Patron Saint for Outsiders,” speaking for those who are not able to speak for themselves, and encouraging people who can to use their voice to promote change.

Soon after starting her Stand Up career, Margaret won a comedy contest where first prize was opening for Jerry Seinfeld. She moved to Los Angeles in the early ’90s and, still in her early twenties, hit the college circuit, where she immediately became the most booked act in the market and garnered a nomination for “Campus Comedian of The Year.” She performed over 300 concerts within two years. Arsenio Hall introduced her to late night audiences, Bob Hope put her on a prime time special and, seemingly overnight, Margaret Cho became a national celebrity.

Her groundbreaking, controversial, and short-lived ABC sitcom, All-American Girl (1994) soon followed. Oddly, while chosen because of who she was – a non-conformist Korean American woman with liberal views – the powers-that-be decided they preferred for Margaret to “tone it down” for the show. She soon realized that though she was an Executive Producer, this would be a battle she could not win. “For fear of being too “ethnic,” the show got so watered down for television that by the end, it was completely lacking in the essence of what I wanted to accomplish.”

The experience was a traumatic one, bringing up unresolved feelings left over from childhood, and Margaret developed an eating disorder as a response to criticism about her body. She was so obsessive in her goal to try to be what she thought others wanted, that she landed in the hospital with kidney failure. Through out this period of self-abuse, Margaret continued performing to sold-out audiences in comedy clubs, theaters, and college campuses, working to channel her anger in to something more positive.

In 1999, her groundbreaking, off Broadway one-woman show, I’m The One That I Want, toured the country to national acclaim and was made into a best-selling book and feature film of the same name. After her experience with All-American Girl, Margaret wanted to make sure she would only ever have to answer to herself, putting herself in charge of the distribution and sales of her film, which garnered incredible reviews and broke records for “Most Money Grossed per Print”. In 2001, after the success of her first tour, Maragaret launched Notorious C.H.O., a smash-hit 37-city national tour that culminated in a sold-out concert at Carnegie Hall. Notorious C.H.O., hailed by the New York Times as “Brilliant,” was recorded and released as a feature film. Both films were acquired by Showtime, and produced by Margaret’s production company, a testament to the success of Margaret’s business model.

In March of 2003, Margaret embarked on her third sold-out national tour, Revolution. It was heralded by the Chicago Sun Times as “Her strongest show yet” and the CD recording was nominated for a Grammy for Comedy Album of the Year. In 2005, she released Assassin, with The Chicago Tribune stating “(Assassin) packs passion in to each punch.” The concert film premiered in select theatres and on the gay and lesbian premium channel Here! TV.

In 2007, Margaret hit the road with Cyndi Lauper, Debbie Harry and Erasure, along with indie faves The Dresden Dolls and The Cliks, to host the True Colors Tour, benefiting the Human Rights Campaign. An entertainment pioneer, Margaret also created and starred in The Sensuous Woman, a live variety show featuring vaudevillian burlesque and comedy, which she took for an extended off-Broadway run in the fall.

Margaret returned to TV in 2008 with the VH1 series, The Cho Show. Describing it as a ‘reality sitcom,’ Margaret said at the time, “It’s the closest I’ve been able to come on television to what I do as a comic.” The Cho Show followed Margaret, her real parents, and her eccentric entourage through a series of bold and outrageous experiences, shaped by Margaret’s ‘anything goes’ brand of stand-up.

The aptly titled Beautiful came next, exploring the good, bad and ugly in beauty, and the marketers who shape our world. The concert premiered in Australia at The Sydney Theater, marking the first time Margaret debuted a tour abroad. While touring through the US, the concert was filmed at the Long Beach theatre, aired as a special on Showtime in 2009, and then released as both a DVD and a book.

In 2009 Margaret nabbed a starring role in the comedy/drama series Drop Dead Diva, which aired for six seasons on the Lifetime network. Margaret enjoyed not having the sole responsibility for keeping things afloat. “(Drop Dead Diva) was a very fulfilling experience. It let me taking about the things I talk about, like body image, and women feeling good about themselves.”

Never one to shy away from a challenge, Margaret stepped right up to the plate when asked to do Season 11 of the highly- rated Dancing with the Stars. Paired with pro Louie Van Amstel, Margaret was on the show’s most controversial seasons. Margaret got a very strong reaction to her Rainbow Dancing Dress during a time when the issue of bullying, especially among gay teens, was being heavily covered in the media. “I am very proud to have been able to wear a gay pride dress on a show that is so conservative.”

2010 culminated with another high honor, a second Grammy Award nomination for “Comedy Album of the Year” for Cho Dependent, her incredibly funny collection of music. Featuring collaborations with Fiona Apple, Andrew Bird, Grant Lee Phillips, Tegan & Sara, Ben Lee and more, the album received critical acclaim. The album is funny, but also quite musical, featuring not only her surprisingly strong singing voice, but her skill on the guitar, banjo and dulcimer. “I was inspired to make beautiful music with a comic edge. I took this very seriously, taking vocal and guitar lessons while I was touring.”

Margaret self released Cho Dependent on her own Clownery Records, and was encouraged by the acclaim, since there are only a handful of artists putting out true albums of comedy music – “Weird” Al Yankovic, Flight of the Conchords, The Lonely Island, to name a few – yet no women. In 2011, Margaret released the live concert film of Cho Dependent, which also had its cable network debut on Showtime. Shot at the Tabernacle in Atlanta, GA, she remained uncensored, with a characteristically no-holds-barred show.

In 2012, Margaret spent whatever free time she had crafting her all new standup show, the uproariously and aptly named MOTHER, which kicked off with both a US and European tour. According to Margaret, “MOTHER offers up an untraditional look at motherhood and how we look at maternal figures and strong women in queer culture.”

Margaret’s creative side moved ahead at full speed with an Emmy nomination for “Best Guest Performance” on Thirty Rock. After the death of her mentor, Robin Williams, overwhelmed her, a mutual friend told her not to grieve Robin, but to ‘Be Robin’. The hashtag #BeRobin was born, as Margaret began setting up shop in different places around San Francisco in an effort to raise money for the Homeless community. “All I do and create a distraction – comedy and music – for several hours and collect goods and donations for people who need them.” The GoFundMe page Margaret set up has raised over $20,000.00 in donations.

In 2015, Margaret was one of the hosts of TLC’s All About SEX, a late night call-in talk show with Margaret covering sex toys and alternative sexuality. “I wanted to remove the stigma of women not only buying sex toys, but experimenting with what makes them feel good.”
2015 also brought Margaret back to the stand up stage, where she filmed her Showtime special/DVD psyCHO at the historic Gramercy Theatre in New York City. Called “wildly kinetic” by the New York Times, psyCHO “is about insanity, about the anger I feel about everything happening in the world, from police brutality to racism to the rising tide of violence against women.” In keeping with the show’s theme, the artwork, a portrait she commissioned from artist Vincent Castiglia made entirely of her own blood.

There’s no break for Margaret in 2016: The three-time Grammy and Emmy nominee will release her next studio album, American Myth, on April 29th on her Clownery label. The follow up to Cho Dependent, it’s the first collection of new music from Margaret in 6 years. She has already debuted three music videos: “Ron’s Got a DUI”, “Fat Pussy”, and the song that set the Internet on its ass (take that, Kardashians), “(I Want To) Kill My Rapist”. Salon magazine called the song “A new anthem” and UK’s The Guardian reminded anyone who was offended that “Cho is famed for her boldness, her taboo-breaking humour.” Margaret spoke to Billboard about the song saying, “I’m a victim, and now a survivor, of sexual abuse and rape, and I think it’s really hard to talk about it. I think having a song to perform live will allow others to talk about it. It’s a huge issue, and this was cathartic for me.”

American Myth, made with her longtime collaborator Garrison Starr, also showcases Margaret’s first efforts as a composer. Margaret says the album is “my glamorous and glittering tribute to family, comedy, anger, fame, gayness, grief, fat pride, love and hate.”

In what is a fitting tribute, Margaret has also been named special co-host of E!’s Fashion Police, covering the biggest award shows of 2016. Since Joan Rivers was not only a friend, but also a vocal supporter of Margaret, this has a unique significance. “Although I am not quite a fashionista, I would love to look at it like I am changing it up – Fashion Police: Special Victims Unit. It makes me happiest to spend time with Melissa (Rivers), and when I see her laugh at my jokes, I feel like Joan is smiling.”

And in typical “go-go-go” style, Margaret has signed on to develop Highland, a dramedy for Amazon. The hour long show follows Margaret, who after court-0rdered rehab, gets a chance to start over by moving in with her (dysfunctional) family who run a pot dispensary. Co-created by Margaret and writer Liz Sarnoff (“Deadwood, Lost, Alcatraz) Margaret is set to star and executive produce as well.

With so much success in her artistic life, Margaret has never turned away from the causes that are important to her. She is incredibly active in anti-racism, anti-bullying, advocating for the homeless and gay rights campaigns, and has been recognized for her unwavering dedication. She was the recipient of the Victory Fund’s Leadership Award and the first-ever “Best Comedy Performance Award” at the 2007 Asian Excellence Awards. She also received the “First Amendment Award” from the ACLU of Southern California, and the “Intrepid Award” from the National Organization for Women (NOW). Margaret has been honored by GLAAD, American Women in Radio and Television, the Lambda Legal Defense and Education Fund, the National Gay and Lesbian Task Force (NGLTF), the Asian American Legal Defense and Education Fund (AALDEF), PFLAG and LA Pride, who gave Margaret a “Lifetime Achievement Award” for leaving a lasting imprint on the LGBT community.

Through her hard work, Margaret has had the opportunity to be heard, to extend her point of view and become regarded as a true pioneer in her field. She takes none of it for granted. “It’s a wonderful thing to be known as a ‘safe haven’ for people. People come to see me, or buy my records and/or DVDs because my point of view satisfies a lot of what needs to be said out there. More than anything, that makes me really proud.”
James Marshall
James Marshall
James Marshall was born James David Greenblatt in Queens, New York, USA, to Charlotte (Bullard), a dancer, and William R. Greenblatt, a producer and director. His father is of Ashkenazi Jewish descent and his mother has English and Irish ancestry.

James grew up in Bergen County New Jersey. At the age of fifteen he moved with his family to the Los Angeles area where he attended Santa Monica High School. Once high school was over, James attended acting classes and struggled to break into Hollywood. His father offered to help James, but he didn't want to take the nepotism route. Coming from a family of entertainers (his mother a former radio city music hall Rockette and his sister a musician) he had Hollywood in site. Accepting small acting parts, working as a messenger, as well as at a pizzeria, James felt the pressures of the business. James made a big splash when director David Lynch cast Marshall for his new series entitled Twin Peaks. Playing the moody, biker boyfriend of Laura Palmer thrust James Marshall into the living rooms of millions and introduced the new actor to a captivated audience. By early 1990 his career took a turn onto the silver screen with an appearance in the movie Cadence, starring Martin Sheen and Charlie Sheen. This lead to his first starring role with a major movie studio. The movie was the 1992 boxing drama, Gladiator. Three months of rigorous training was put into the role before even getting to the set. The buzz on Marshall was so great that director Rob Reiner cast James and co-star Cuba Gooding Jr. in his upcoming film A Few Good Men. The movie was an excellent springboard towards a busy acting career. James has continued working steadily in television movies and features. In May of 1998 James married actress Renee Allman. They have appeared together in the features Criminal Affairs and Doomsday Man. Together they have one child, James David, who was born in January of 2002. The happy family live together in the Los Angeles area. James continues to work on a host a television movies and film projects. In addition James is an accomplished author, artist and musician.
Venue Information:
The Chapel
777 Valencia Street
San Francisco, CA, 94110
http://www.thechapelsf.com