777 Valencia Street San Francisco, CA 94110 - Map
The Fresh & Onlys (Record Release)

(((folkYEAH!))) Presents

The Fresh & Onlys (Record Release)

Kelley Stoltz, Male Gaze

Sat, September 5, 2015

Doors: 8:00 pm / Show: 9:00 pm

The Chapel

San Francisco, CA

$15.00

This event is all ages

Support TBA

 

 

The Fresh & Onlys
The Fresh & Onlys
Three long years of anticipation have preceded San Francisco's psych-blasted, starry-eyed weirdos The Fresh & Onlys’ return with Wolf Lie Down. The opening title track is a searing return to form with chugging full speed rhythms, snotty Wipers wall-of-sound guitar gristle, and the unmistakable midnight croon of singer Tim Cohen. Their 6th LP and debut for Sinderlyn Records finds the band equally at home with anthemic garage rock burners like "Impossible Man" and "One Of A Kind," and the brooding western twang of "Walking Blues" or "Black Widow".

While Cohen and guitarist/producer Wymond Miles are not the new kids on the scene (both are fathers of two now), Wolf Lie Down strips back the layered feel of the last few records to reveal themselves full of passion, imbued with an uplifting romanticism, and their trademark (if often overlooked) wry sense of humor. Recorded mostly at Miles' home studio, the songs' foundation came to life in the studios of Bay Area analog garage/ psych veterans Kelley Stoltz (Electric Duck) and Greg Ashley (Creamery).

Wolf Lie Down builds on the band’s literate guitar-pop arcana, seamlessly incorporating their pastoral desert-noir sensibility into Cohen and Miles' dueling damaged art-punk songcraft. While the record is driven and performed predominately by the duo of Miles and Cohen, former members Shayde Sartin and Kyle Gibson lay down their classic rhythmic chug on a few tunes. They also enlisted original drummer James Kim, as well as touring companion James Barone (Beach House) on drums and some mixing duties.

This new chapter in the elusive world of The Fresh & Onlys is a triumphant return to form as underground jangle titans. Wolf Lie Down also wears the haunted pastoral vividness of their most recent work. Perhaps ironically, their latest LP in a vast canon of work may be the best introduction to this unapologetic multi-faceted rock ‘n’ roll band.
Kelley Stoltz
Kelley Stoltz
Silver-tongued songsmith and true American treasure Kelley Stoltz brings us a new collection of instant classics with just a hint more synthery than 2013's "Double Exposure". For those not yet in the fan club, Kelley’s like a Ray Davies/Brian Wilson/Tom Petty power-pop Cerebus from another dimension in which well placed tambourines, handclaps, and wry observations are a universal language. Criminally under-appreciated, Kelley's face should be on Amoeba-bucks for his contributions to the pop canon - I'd recommend the black lipstick smeared stand-out and lead-off track "Cut Me Baby" as his walk on music for the acceptance speech. Each track here leaps off the table with Kelley's carefully considered wit and expertly layered arrangements. His innate way around a sticky hook and no shortage of tasty studio flourishes will bring out your inner record collector nerd, guaranteed.
Male Gaze
Male Gaze
"There is nothing quite like the feeling you get when you discover that members of your favorite defunct bands have been palling around together and secretly playing music. In the case of Male Gaze, we've got Mark Kaiser (Mayyors), Adam Cimino (The Mall) and Matt Jones (Blasted Canyons) all conspiring to bring sweaty basement shows back to San Francisco and make sure that if you don't have tinnitus by now, you soon will. Blankets of fuzz and dirty cymbal splashes rush in to push you around and if you can put aside a minor Ian Curtis impression, the vocals manage to ride up front just right and cut clear across the room. It sounds almost exactly like what you would think a Mall and Mayyors combo would sound like and that's kinda of an amazing thing." --Unpiano
Venue Information:
The Chapel
777 Valencia Street
San Francisco, CA, 94110
http://www.thechapelsf.com